





FEATURED RIDER:
Name: Brigit
Age: 15
Location: Montana
Primary horse's name: Amstel- "Dawkins"
Age, breed, pertinent info:
2002 (7 coming 8) Thoroughbred gelding. Has competed Prelim and (before I bought him) was ready to go CCI*. I bought him almost exactly 1 month ago. We bought him from Hawley Bennett, and he is already a strong eventer although he's only been competing for a year and a half. He LOVES jumping! Dressage he will tolerate and can actually be a quite nice mover if you ride him right and get him going. But jumping is really his strong suit, particularly cross country because he can, and likes to, gallop fast.
Level currently competing: Training
Short term goals this spring/summer:
Move up to Prelim, continue to go clear at all events at Training level and Prelim, and I'm really hoping to do really well at Rebecca Farm at Training level this year! Since it's my only "local" (3 hours compared to 11) event, and it's such an amazing one, I would really like to do well!
Year-end goals: Compete in the CCI1* at Galway Downs in November
Overall goals?
I want to compete in the NAJYRC at 1* and hopefully at 2* as well. I know Dawkins has the potential to go VERY far in eventing, so I want to get myself going at a high enough level to get HIM there. I want to improve our dressage, and not have ANY stops. Obviously, there's the classic overall goals every 15 year old eventer has as well, which are all my goals. Rolex, Olympics, etc.
What's the best thing you've learned recently?
I spent all of last winter riding dressage. I didn't have a horse to ride, so I was taking 2-3 dressage lessons per week on dressage horses at my barn. Although I didn't jump a fence for 8 months, when I finally had the chance to jump again (when trying out Dawkins), my jumping was 1000 times better than it had been. Dressage really is the foundation for everything. A solid dressage base will improve stadium and cross country and you'll do so much better in eventing!
Dawkins also settles in to dressage better if I sit the trot rather than post. I have no idea why, but when he starts getting tense and flipping around in dressage, if I sit the trot he settles down almost instantly.
Favorite eventing moment/story?
My favorite moment so far in eventing happened just this past weekend at Inavale Horse trials! I was out on the cross country course, and we were coming to the jump that I had been nervous about since I had walked the course, the Trakehner. Until I jumped it in the event, I had not jumped a trakehner on Dawkins, and had only jumped one twice before on a horse who had no business jumping something that size and I actually ended up falling off. So I was NERVOUS. I had been reassured by Hawley that he did FINE at trakehners, but I was still so nervous, especially because so many people had fallen off at that jump already! So as we came up to it, I was already putting my leg on, probably a lot more than I should. I know I was tense and not riding as well as I should have. But Dawkins just headed up to the trakehner and popped over it without a second of hesitation or a peek into the ditch. It's one of my favorite moments because I know he really will do anything on the cross country course!
Link to blog or website, if applicable: http://eventer4life.wordpress.com
Photos or videos:
http://www.youtube.com/watch?v=-_dzYj91uh8
http://www.youtube.com/watch?v=CKdy2me0Zlg&feature=channel
http://www.youtube.com/watch?v=5jK1SUyXH_E&feature=channel - after owning him for 1 week. My second course on him ever.

"It's a good mix with experienced riders and some promising young horses. This will be a big step up for them, and we hope they will be in their prime for London 2012. We will then be looking ahead to Rio de Janeiro 2016. [Coach] Nick (Turner) is doing a fantastic job and must be one of British Airways best customers at moment! Next year our goal is the Pan American Games in Mexico (Guadalajara City) where we hope to qualify a Team for London 2012."

Tuesday of last week, I made the (right) decision to scratch my preliminary level entry; the ground was hard, and that horse really didn't need to go. On a whim, I asked the event secretary if I could substitute a lower level entry. She agreed (bless her!) and I had to choose a horse to enter. My preferred (somewhat experienced) novice candidate was suffering from lost-shoe-itis, making him more or less unrideable for the past two weeks. I was left with Rocket, the ex-broodmare, and the possibility of going beginner novice. Keep in mind, she has only been in riding work since February. She learned to jump at the end of March. And her first attempt at cross-country was six weeks ago.
What the heck, I figured she could probably do it. It wouldn't be pretty, we wouldn't be competitive, but I believed she could handle it. I made the necessary arrangements (things like a last-minute Coggins!) and crammed as much preparation into her as I could in four days. A quick jump, a brief xc school, and two days of "intense" beginner novice flatwork. I had mostly worked on her relaxation and rhythm...not doing precise transitions at particular points around the arena (this proved most difficult). But c'mon, any horse can walk, trot, canter a few big circles, right?
Saturday morning we were off to the show. I worried how she would act once we got there-- would she settle in her stall? Would she be a "screamer," stall walking and whinnying her head off? She's used to living outside 24/7 in a herd situation. Would she eat and drink normally? How would she handle being in a tent? What about a crowded (and often CRAZY) warmup? She'd hardly worked around other horses before. There were lots of questions to answer, outside of the "can she finish three phases of a horse trial."
I needn't have worried. She settled in like an old pro, munched her hay and enjoyed the activity around her. She made friends with her neighbors, but did not become attached to them. She was polite, respectful of her stall guard, and just extremely pleasant in general. I was encouraged, though I knew the riding part would still be a challenge.
I'd already accepted that dressage was going to be ugly. She'd never been in a dressage arena; I knew there would be gawking at letters, and possibly deer-in-headlights looks at the judge's booth. I figured transitions would happen "in the general vicinity" of a letter, most likely inverted. I just wanted to keep all four feet inside the arena, and not run over anything. In that respect, it was a success. She actually had two or three rideable moments, and her transitions were relatively prompt. Yes, she was tense; yes, she was above the bit a lot; but she did her best, didn't dodge sideways at the letters, or prop and duck at the judge. It was an ugly test to be sure, but considering her inexperience I was very proud. We barely managed to break 50 (you know it's bad when your best comment is "Nice Turnout!"), putting us solidly in last place out of 16, but I was happy.
The show jumping course seemed fair enough for the level; I still saw lots of potential challenges for such a green horse, but I didn't think it would overface her. She warmed up quite well, after nearly stopping cold at the first crossrail. The chaos of BN warmup (kids on ponies flying around, others in minor panic) didn't seem to bother her at all. We went straight into the show ring (surrounded by the flapping temporary tents) and she focused completely on me and the jumps in front of her. Yes, I took the "scenic route" making big loopy turns...she still lacks a bit of balance, to be sure. But Rocket approached the jumps with enthusiasm, and felt great. Her only green moment came at the very end of the course-- the two-stride combination. She came boldly through the turn, but did a typical green-horse prop-and-wiggle when she realized there were TWO jumps right there! I gave her a kick and she jumped in anyway, knocking the rail (deservedly so), but straightening herself to jump out nicely. A rail and three time penalties...I was pleased with her performance, and moreso with the confidence she displayed. We moved up from 16th to 14th place; I told you I didn't expect to be competitive! (LINK to photo)
Cross-country seemed well within her capabilities. Granted, that's the first BN course I've walked (with the intent to ride) in about eleven years...but given how well she has schooled (um, twice in her life) I thought she could do it. I expected her to be green starting out, but I knew her confidence would build as we went. As it turned out, she blasted out of the startbox (so much for trotting!) and attacked the course from the first fence. Rocket settled into a great rhythm, and I hardly had to kick at anything. The water had caused several issues for my division-- it was a narrow entrance, and too many riders were walking their horses to the beach and then letting them stop. I cantered up to it, she broke a trot, but I kicked her on positively and she went right in.
We finished the course with hardly a hesitation. Just as that first xc school, her ears were up and her eyes were beaming, looking for more. I had the same big grin on my face... now I *knew* I had myself a new event horse. Yes, it was only beginner novice. I have no idea how far she will want to go. But overcoming her inexperience to perform as well as she did, with her confidence growing all weekend-- that's the best you can hope for from any horse.
To top it all off, she moved up from 14th to 7th after cross-country. A pretty purple ribbon...well-earned, and well-appreciated.





Among the many obfuscated treasures of the FEI website is the List of Riders having received a Yellow (Warning) Card. This is the police blotter of international eventing, a compendium of crimes ranging from the serious - 'abuse of horse' - to the snickering - 'smoking in stables after repeated warnings.'
We all love a good police blotter. Especially when it involves our friends and neighbors.
If we look past the expected smatterings of 'dangerous riding', 'continued after 3 refusals', 'jumped obstacle after elimination', there are some real doozies on this list, proof positive that there are some truly fascinating people out there eventing at the FEI level. Like the aforementioned badass chick caught smoking (several times!) in the stables like a seventh-grader. Or the Italian rider who was ultimately red-carded and suspended for continuing on after three refusals twice. In one month.
But the list's standout offender is the Norwegian rider who was given two verbal warnings (but no yellow card) at the same event. The first was for not showing up for the jog and not giving permission for someone else to jog the horse. It's unclear how the horse was presented to the ground jury (presumably it showed up and jogged itself) but never mind, this story only gets better. The second warning was for - brace yourself - 'allowing a child to ride in the D box without a helmet.'
'Allowing a child to ride in the D box without a helmet.' How many errors of judgment and rule breaks can you squeeze into one short sentence? Is there a prize for this? Perhaps, because the rider placed fourth in the competition.
Next, consider the enigmatic case of a Dutch rider who was given a yellow for 'not stopping after several refusals on XC.' One would hope the official had a specific number of refusals in mind rather than a ballpark figure and one wonders if the punishment would have been more severe for 'many' refusals. There's also the dadaist conundrum of how it is that a rider can 'not stop' after 'several stops' but this is just another way in which eventers accomplish the impossible.
Some incidents appear to be the result of cultural gaps between rider and officials. This would explain why two riders at an event in Mexico were booked for 'dangerous riding / out of XC course on the rocks.' To most of us, that sounds like a typical weekend south of the border but the official apparently thought otherwise.
If you're looking for tips on how to avoid getting yellow-carded, here's one piece of advice: if your horse is out of control and you can't avoid going through or over the ropes, make sure you do it twice so you'll only get a verbal warning like German rider Frank Ostholt or a 25-point penalty like Portuguese rider Guimairaes Joao. Irish rider Brian Curran failed to heed this advice and jumped the rope only once for a full-on yellow card.
Come to think of it, this is no small feat, jumping your out of control horse over a line of rope twice. Which means that if you could do it a third time, you would probably incur no penalty at all. But you didn't hear that from me.
To see the full list, go to the FEI Warning Card page and scroll down to 'Eventing.' The list opens as a .xlsx spreadsheet. The FEI Warning Card system explained (pdf).
1. Spasmodic colic: this is caused by cramps or spasms of the bowel.What are five types of colics?
What are some symptoms of colic?
What do you do if your horse colics?
Answers
Types
2. Gas colic: this is caused by a build up of gas in the intestines. Eating spoiled feed or grass clippings can result in fermentation, which produces gas.
3. Impaction colic: this is caused by indigestible material collecting and blocking the bowel. This can be caused by swallowing sand, lack of water, or enteroliths. An enterolith is basically a stone that is found in the intestinal tract. It typically starts with a foreign piece of material and then minerals (that are found in feed) form around it to produce a rock.
4. Thromboembolism: (this is fun to listen to Pony Clubbers try and pronounce at their rating) this type of colic is caused by worm larvae that invade blood vessels that supply the intestines. A clot can form and block off blood supply to part of the bowel. (Part of why a consistent de-worming routine is important.)
5. Obstruction: this type of colic is caused by a twisted bowel, or when it "telescopes" on itself (intussusception). Lypomas are often a concern as well. A lypoma is a fatty tumor that is connected to a thin fibrous tail, the tail can then become twisted around parts of the bowel and cut off blood supply.
When horses are just beginning to colic the symptoms are usually relatively mild. They may start to look at their barrel, stop eating, or begin to act restless. They may also start to paw, curl their upper lip, stretch out as if to urinate, or lie down and get up multiple times. Pulse rate will be slightly higher.
Symptoms
As the pain becomes more severe, the horse can become violent, progressing from simply laying down and rolling, to thrashing. The horse may begin to look anxious, paw, kick or nip at his belly, and break into a sweat. Some make it really easy and just lay lateral and groan...loudly. Pulse rate will also elevate, as will respiration rate.
Your horse's mucus membranes (gums) can tell you a lot about his condition. A normal color is pale pink; some horses will be slightly injected (meaning you can see smaller darker veins). If his gums are bright red this could indicate mild shock or toxicity. If his gums are slightly blue it could indicate severe shock. Normal saliva is runny and slippery; a sick horse will often have thicker, sticky saliva on his gums.
Knowing your horse's capillary refill time is helpful also. If you firmly press a finger to your horse's gums for 2 seconds (long enough to create a white mark), how long does it take for the color to return? A normal time is 1-2 seconds. Any longer could indicate dehydration or shock.
Gut sounds. If you have a stethoscope, use it. Place the stethoscope behind the last rib and listen for sounds. Typically a lack of sound is more indicative of a colic than an excess of sounds.
Every horse is different, so their reaction to pain will be different. It's very important to know your own horse and his vitals. Some horses can be incredibly painful, but so stoic that their heart rate and respiration rates will barely change.
Record vitals (because I can never remember them) and call your vet. In cases of mild colic, Banamine will often be prescribed. Typically it's best to wait until your vet tells you to give medication otherwise you risk masking the pain that could help diagnose your horse. While waiting on your vet, walk your horse slowly and record vitals periodically. If he starts to pass gas or manure and vitals seem to be improving you can put him in a small paddock or stall and continue monitoring vitals. If condition worsens, its up to you and/or your vet to make the call on a hospital.
What do you do?


"It is with deepest regret that we announce that "Chauncy," horse number 63 ridden by Suzy Elliott, collapsed while competing in the Advanced division at The Event at Rebecca Farm, Kalispell, MT, USA on Saturday, July 24, 2010. Suzy Elliott is from Yelm, WA.
Elliott was riding Chauncy, an 8-year-old Thoroughbred gelding owned by her husband, Jonathan Elliott.
Chauncy collapsed following a second run out at fence 16A. Elliott had dismounted before Chauncy collapsed. There was a full paramedic and veterinary team present within moments after the collapse. Chauncy was taken to LaSalle Veterinary Hospital, Kalispell, MT, for a necropsy. The necropsy revealed a cardiac hemorrhage."
Eventing Nation's thoughts and prayers are with Suzy and her family tonight.



"I love love EN, it's like the People magazine for eventers :)"
"Thanks for your help. It's a great site and hopefully will help sell some horses. I really enjoy Eventing Nation, too--you guys get eventing right!"
"You've been so great to work with--thanks for all your help."
Thank YOU for all your support and patience through the growth of EN and now, SHN. If it weren't for our fans, we'd just be talking to ourselves.
FEATURED RIDER
Name: Amy
Age: 23
Location: Connecticut
Primary horse's name: Discotrax - barn name "Dee"
Age, breed, pertinent info:
4y/o TB mare, came off track last year. I bought her in December, gave her most of the winter off, and started really working with her this spring. I've now jumped her twice, and she has yet to put a foot wrong! She seems very brave and pretty cute over the fences.
Level currently competing: Not competing quite yet!
Short term goals this spring/summer: Get her out cross-country schooling, go to a schooling dressage show and maybe a horse show to canter around some show jump courses.
Year-end goals: We're aiming to go BN at a few events this fall.
Overall goals?
I would love for this mare to go Preliminary one day! I've had a series of unfortunate events with my last few horses, and haven't gotten to do anything other than one BN (in 2008) since 2005, so I would really love to have a horse that I can get back into the competition game with.
What's the best thing you've learned recently?
I've got one hip higher than the other, and it has always created a problem for me in the right lead canter (it's very hard to get myself moving with the horse). I finally had a trainer tell me to get off and 'canter' on my 'left lead'. After I did that a bit she said 'now, that feeling you have in your hips now is what I want you to go for on the horse'. It sounds weird, but it worked. Now whenever I'm feeling stuck, I do a little 'canter'.
Favorite eventing moment/story?
I was at Old Chatham, going training. My little mare misread a table going light-dark (later learned that she was rapidly going blind in one of her eyes, which explained it) and left early, sort of landing on the table with her front feet. I ended up coming off and the horse went off galavanting. However, she very kindly presented herself at the announcer's booth and allowed herself to be caught! While the weekend was a huge disappointment, that still gives me a good laugh.
Link to blog or website, if applicable: dancefloormetaphor.blogspot.com

"Often called "horse ballet," dressage is the least action-packed of the three events and certainly the most meticulous." Translation: bring your kids on Saturday.

Before I forget, be sure to vote for your favorite caption in our first ever caption contest. The top three answers are separated by less than 16 votes and an Omega Alpha prize basket is on the line--voting ends Thursday at 9am. Also, I changed our weekly poll earlier this afternoon so check that out in the sidebar.
In this article, Leah Lang-Gluscic continues her story of transitioning from an investment banking career to trying to make it as a professional eventer. Thanks for writing this Leah, and thank you for reading.
From Leah:
Hi Eventing Nation. So I have about one week of work at my current job left, am simultaneously trying to find a part-time job out in Illinois for when I get back in November, and am moving! To say the least, things are a bit hectic.
Not just me, but also BamBam has had quite the exciting three weeks. Three weekends ago, I took him for a lesson with Mary Ann Sabin in Maryland. Since I moved to DC two years ago, I have been taking "Schoolmaster" lessons on her Third Level horse, FlimFlam, to basically keep my dressage skills tuned up as much as possible. Bam is the first horse of my own making that I have ridden for her, and she really liked him. She thought he was a really nice mover and has a lot of potential. At the time, the consistency of our canter transitions left quite a bit to be desired and we had not reached a point where a correct, balanced frame was status quo. Mary Ann was a huge help with all of this. After only week of working on the points Mary Ann gave me, Bam went to his first starter trials, where he finished 3rdin the Novice out of 16. He really tried and gave a double clear effort ending on his dressage score. For his first horse trial experience ever, I couldn't ask more of him.
The next weekend, we went to MD HT. First of all, what an incredible facility and event, really just exceptionally well run and everyone was so friendly. Bam completed his first recognized event, and I my first in nearly seven years. I even sprung for the professional video, thought it would be worthwhile to evidence the carnage of returning to the sport! However, no carnage, Bam had what I would call a respectable test in the high 30s, a rail, and had a very bold, clean cross country. We placed 13th overall. While there weren't any ribbons involved, I thought the day was a huge success for him and I feel better about Bam getting his feet wet at a large competition with some atmosphere before I am taking two horses to events by myself this fall. I also keep forgetting that I have only had this horse for 6 weeks. Considering that we started with pretty much an inability to canter a circle and he is now a legit Novice event horse with tons of potential, I think he is doing just fine!
While I am in Virginia finishing my current job and focusing on my horses, my family is in Illinois busting their asses at the farm, by choice! First let me say it is incredible for my family of non-riders to be involved in any way with the horses, but to actually help get the farm in operating order is unbelievable and beyond appreciated. They have painted the office and the on-site apartment I will live in, have power-washed the entire facility, have picked rocks from the indoor ring, are getting appliances installed and are maintaining the land. They have been mowing the many acres non-stop and clearing logs, etc. Each time I speak to either of my parents on the phone, I've asked them to please wait until I am there so that I am the one putting in all these hours of work, but they are determined to have the farm in shape when I come home in November. Beyond this, all three of my siblings, who are all soon to be eighteen and up and have much better and surely more entertaining things to do, have been helping as well. It honestly blows my mind how incredibly lucky I am to have this kind of support!
There has been one slight hiccup back home. When I was back in Illinois in May, I had taken a lesson with a really terrific eventing instructor not too far from the farm. However, much to my dismay, she is moving! I guess the search will start again. Not too big of a deal, but I had been so relieved to find someone who had competed through the advanced level while being based out of Illinois. She has recommended a few people that she works with, and between that, clinics, and traveling, I think everything will be alright. I am also planning to start some barrel racing or reining lessons. There's a place about five minutes from my farm in Illinois. I am a firm believer that any riding makes for better riding, and I am curious as to how it may improve my balance, so going to give it a go. To this point, I was listening to a talk that Bruce Davidson, Denny Emerson, and Buck Davidson gave at the USEA Convention last year, and Bruce was saying that when people say they are "event" riders, he is a little put off because that only limits your riding. All three of them were talking about all the different things they have tried, barrel racing, endurance, point-to-point, and how you can take something from any discipline and it will make you a better rider, and that is really the point. With my background, which involves pretty much sitting on any horse I have ever been given the opportunity to ride, I really took this to heart and am hoping to act on it sooner than later.
Anyways, like I said, I have about a week left as an investment banker, and then am making the trek out to Illinois with a Uhaul to move all my non-horse related belongings. I will be spending about two weeks out there with the family, hopefully going to a few job interviews, and also taking on the burden of getting the farm in shape for a while before returning to Virginia. Clare at ODH has graciously offered to put my horses into the fitness program she uses for the staff horses, lots of road work and trotting, so that they won't have a full two weeks off. Hopefully while I am home, I can wrap up most of the work at the farm, so that my family will not have anything left to do in my absence. Next post should be from IL!
As part of our ongoing efforst to provide complete WEG coverage, here is an overview of the Belgian team's WEG prospects, kindly submitted by RL, an EN reader and Belgian team follower.
In late June, the Belgians released a training list and they shortened that list in mid-July to the following riders:
Virginie Cauliers
Jarno Debusschere (Admiral von Schneider)
Lara de Liederkerke (Nooney Blue)
Karin Donckers (Gazelle de la Brasserie or Lamicell Charizard)
Valentine Gernay
Lisa Sabbe (Steelbrook)
Sarah van Hasselt (Arctic Fox Too)
Joris van Springel (Limestone, Lully des Aulnes)
RL's thoughts: "I would personally be very surprised not to see Carl work his way onto the team, though he has been quite occupied stateside, lately. I could see him perhaps taking Charizard, even. This may not be the year for Jarno, unless he finds himself a horse, perhaps even Maxwell Steele. Lisa and Sarah are both young and new, but Steelbrook is a veteran and both Lisa and Sarah have been part of the national team trainings for some time now. Overall, Karin and Joris are the only no brainers."

"...The room went silent, all viewers went dumb as they watched him use a gum line as a twitch and a 22ft rope wrapped around the fetlock to the knee to haul Catwalks leg off the floor to render him unable to move while he tried to force the bridle onto a now very distressed and frightened horses face!!"
On Friday night the Parelli's tried to quell the controversy with a post on the Parelli blog that acknowledged that Catwalk was challenging and that "a couple of folks were upset at what they think they saw," but the post didn't describe what happened. The story kept growing on the forums and it starting to gain some serious traction by Saturday.
Either...
1) The methods Pat used on Catwalk including the twitch and rope around the leg are a legitimate part of the Parelli method.
Or...
2) Pat simply made a mistake and lost his patience with Catwalk
In the first instance, all Pat Parelli needed to do was explain publicly that, what he did to Catwalk is part of the Parelli method. If you really think that twitching a horse and putting a rope around its leg are part of the approved and marketed Parelli method, then fine, but personally, I think the second possibility is much more likely.
Buck Davidson and Titanium
Phillip Dutton and Kheops du Quesnay
Stephen Bradley and Brandenburg's Joshua
Phillip Dutton and Connaught
Holly Hudspeth and Last Monarch
Kim Severson and Tipperary Liadhnan
Allison Springer and Arthur
Buck Davidson and BallyNoe Castle RM
Buck Davidson and My Boy Bobby
Phillip Dutton and The Foreman
Phillip Dutton and TruLuck
Phillip Dutton and Woodburn
Will Faudree and Pawlow
Becky Holder and Courageous Comet
Boyd Martin and Neville Bardos
Boyd Martin and Remington XXV
Karen O'Connor and Mandiba
Amy Tryon and Leyland
Do you ever stare in awe at the sleek shiny horses, the glistening brass, perfect braids, and dazzling white marks at a CCI trot up? Do you ever wonder how they get that way? (LOTS of hard work is the correct answer!) Each Sunday morning we will bring you a little insider info on how the big-time grooms manage an upper level event horse. Feel free to email or comment with specific grooming questions if you have a topic in mind!
Previous entries: All Wrapped Up: Stable Bandages
Breastplates, Breastcollars, and Breastgirths
To see all previous entries, click on the "Sunday Jog-Up" category in the sidebar to the right.
All Wrapped Up: Polos

Polo wraps are your favorite fleecy friends used for leg protection during exercise when you forget your half chaps. Also great for your horse, too! Seriously though, polos are a suitable alternative to galloping boots when the need arises. Generally I MUCH prefer a good set of Woof (or other brand, such as Nunn Finer) boots instead of wraps: faster to apply/remove, easier to clean-- just hose off--, and safe in most weather conditions. As we all should know, polos are completely unacceptable for cross-country...they slip horribly when wet, causing disastrous results as they come unwound on a galloping horse. Why, then, would you waste your time rolling all those polos, and spending hours untangling them from the dryer?
Polo wraps are perfect for sensitive-skinned animals. They rarely rub, and are perfect to use after your horse has had its legs shaved (either body clipping white socks, or shaving for a tendon ultrasound). I've learned the hard way...do NOT use a boot on a shaved leg, the friction will irritate the skin into blowing up huge! Polos only, please.
I also have an "off-label" use for polos: instead of standing wraps for turnout. Horses who live outside 24/7 occasionally have need for a standing bandage (a cut that needs sweating, for example) yet full-on standing wraps would be unsuitable. Thick and bulky, standing wraps tend to soak up dew from the grass, and shift too easily on an outdoor horse, so I do NOT use them in turnout! If I must wrap a leg, I'll use a polo wrap instead. In such case, I'm careful to end the wrap higher on the ankle, to stay up out of the mud and wet grass, less likely to slip. The wrap should be changed twice daily, and if there is much risk of it coming undone (rain! or anything but a quiet horse) do not use this method on unsupervised animals.
Because of the possibility of slipping down, use polos with caution: preferably for flatwork only. If you do use them for jumping or fast work, be extra sure they are wrapped securely and keep an eye out for any loosening or displacement. Don't use them in muddy or wet environments-- that's just asking for trouble!
How to Apply Polo Wraps:
Some methods (including the Pony Club Way...even though PC believes polos are the devil) call for unraveling the first 6" of material to use as a "protective strip" placed vertically down the tendons. I generally don't see the need for this...it takes a little extra time, and honestly a thin extra layer of fleece isn't likely to provide much extra protection to the tendons anyway.
I start my polos just like any other wrap: place the edge of the tail-end along the inside of the leg, about 2/3 up the cannon. Wrap from front to back, inside to outside, maintaining consistent tension. Since there is no extra padding to disperse pressure, use extreme care not to wrap too tightly! Wrap down the leg, overlapping with even spacing. Go under the fetlock to "cup" it, making a nice V at the front to allow for flexion. Continue back up the leg, even spacing, until you end just below the knee or hock. Ideally, the velcro will fasten on the outside of the limb, to reduce the risk of the horse brushing it and loosening.
The finished wrap should be neat and trim, following the contours of the leg nicely. The polo should not be "tight," as it does not provide support. The wrap should just be snug enough to maintain its position.
A "protective strip" down the back of the tendons.
Continuing the wrap down the "strip."
Starting the wrap normally, from the inside of the cannon bone.

Continuing down the leg, making even overlaps with consistent tension.
The finished product. Velcro ending on the outside of the leg.

Beginning the wrap on a hind leg: starting lower, about halfway down the cannon.

A finished hind wrap. Note the centered "V" at the fetlock.
Hints for pretty polos:
-As with stable bandages, roll your polo wraps tightly! I prefer to roll them on my knee, pulling some of the stretch to make it very snug as I wind up the bandage. Your rolled polos should be very firm-- not loose-- when you're finished. Tuck the corners under, throw the polo at a barnmate and she should respond with "Ow!!" Otherwise, it isn't rolled tight enough (or you need to work on your aim. Yes, long hours in the barn will make you seek strange entertainment at times, like pelting people with polos. It is fun though.)
-New polo bandages are always awkward to use. Thick and fluffy, they often look very bulky on the leg. The new fleece is also "slick," and tends to slip. Wash your polos as often as you can to "break them in."
-Older polos are the bomb. A bit nappy, with some "pilling" on the fabric makes them grip better, becoming less likely to slip or shift. Take care of the velcro, and your polos will easily last for years.
-Speaking of velcro: it accumulates lint when you wash them. Pick out as much as you can from the "hook" side, or else you run the risk of un-sticky velcro coming undone while you ride. If the velcro loses its adhesion, don't use the wrap anymore!
-Select one or two colors and stick with it. I know it's fun to "accessorize," but there is really no need to have a set of polos in fifty different colors. They only get lost (one at a time), and you'll end up with mis-matched legwear. Stick with white, black, navy (etc) so that as singles disappear over time, you can still have plenty that match. Conservative colors also look good on a variety of horses.
-Nothing dresses up a horse better than a set of white polos for flatwork. Something about the flashing optical illusion always makes a "decent" mover appear amazing. Unless you have an endless supply of white polos, save a set of four for special occasions when you want that little bit of "pop." White polos tend to stain, and the dingy-ness is not appealing. Retire your old white polos to schooling use, and keep your others bright. White polos look a little silly on light gray horses-- go for the contrast and use a dark color instead.

"Of course I read Jennie's quote last night and saw that she is getting a bit fed up of finishing second to me," Law explained. "So I thought I would take it a bit easy today and give Jennie some confidence by letting her go into the ring in the lead tomorrow. Swinger is a good jumper, but obviously I am very different physique than Missy so I hope I am able to push the right buttons and have a clean round tomorrow."
USEA press release, live scores, Leslie Mintz photos


Notes: Ballynoecastle RM and Last Monarch are entered in the OI at Maryland as they begin their series of events that will hopefully culminate at Kentucky.
FEATURED RIDER:
Name: Susan a/k/a "SueCoo2"
Age: 51
Location: Houston, Texas
Primary horse's name: Cross Fox Kelenna a/k/a "Kikki"
Age, breed, pertinent info:
Kikki is a five (5) year old 15.2 Connemara Thoroughbred cross I bought three years ago as an un-started two year old from breeder Beth Blankenship @ Cross Fox Farm in Versailles, Kentucky. She is extremely well bred with Grange Finn Sparrow and Leam Bobby Finn (Carna Bobby) and Ashfield Jovial in her Connemara lines. Ashfield Jovial Joker is one of the top sires of jumping ponies in Ireland.
On her TB side her dam (Mistflower) is by With Approval who is a very good sire and his sire in particular Caro has an extremely good sport horse reputation. Denny Emerson's stallion Loyal Pal was by Caro. The Caro sire line horses are super athletic, correctly built and they love to jump. Mistflower traces to Boudoir, a VERY high class mare. Her daughter Lady Ambassador produced Coraggioso who was a top 'chaser. My thanks to both "Linny" and "Sassenach" from the COTH BB for assisting me in researching her lineage.
Kikki and I had a rough start. I had some health issues (I'm a recovering alcoholic/addict) which needed addressing and it prevented me from really working and riding her in a consistent manner. She excels when in a consistent program and has an excellent work ethic. Kikki , though backed and started when she turned three, could be a little difficult. Though she is a "HOT" mare, she is the type of horse I have always been drawn to, as she is super smart and extremely brave.
With my health issue addressed, a new set of goals, and a plan (see short term goals), we are forming a wonderful partnership and I am very much looking forward to our journey together. She has taught me patience, perseverance, trust, and humility. She's learning that our journey will be fun.
Level currently competing: GAG / Beginner Novice
Short term goals this spring/summer:
To attend the Lucinda Green clinic in June at Greenwood Farm and to successfully compete at her first show. We'd like to end the summer with a trip to the beach for a good gallop, and a Jim Graham clinic in September. Year-end goals: To have a happy, healthy, and well educated horse who enjoys her work and our time together. For myself, to remain sober, develop my skill set and apply for the 2011 USEA Worth the Trust Scholarship.
Overall goals?
To one day do a Training 3Day. I also want to clinic with Jim Wofford (I loved his book "Take a Good Look Around") and attend a Denny Emerson Adult Eventing camp. Ultimately, I'd love to take Kikki to the AEC at Carl Bouckaert's farm Chattahoochee Hills one day.
What's the best thing you've learned recently?
That a horse can be the best medicine no matter what ails you.
Favorite eventing moment/story?
In 1998 I attended the first CCI **** event ever to be held in North America. The Rolex 3Day in Lexington, Kentucky. I was a "Hunter Princess" at the time and didn't really know a lot about the "crazy" sport of Eventing. All I knew was that they did three phases and jumped BIG solid obstacles. I met fox hunter extraordinaire Mat Simpson and a slew of other people I'd been communicating with on the COTH bulletin board. Here is a picture from the "The Officially Scheduled Internet Equestrians Rolex Bank Photo". That's me in the center knelling. As long as I live I will never forget what it was like to walk out there on that first **** course! It literally took my breath away. It was like the Wizard of Oz and I was Dorothy dropped into some amazing wonderland!! But unlike Dorothy, I NEVER wanted to go home! The horses were spectacular, the riding simply amazing and the camaraderie I witnessed and felt between the spectators and competitors was truly heartwarming. I fell in love the Spring of '98 with this amazing sport.
-Title (less than 50 characters):
-Description:
-3 adjectives that describe the horse:
-Picture (in .jpg format):
-Location of the horse:
-Price (either a specific number, or a price range in alignment with the price categories in the Sport Horse Nation sidebar: 0-5,000, 5,000-15,000, 15,000-30,000, 30,000-50,000, 50,000+. These categories are meant to be broad enough to respect the privacy of the seller but also specific enough to help the buyer find the right horse.)
-Contact informaiton:
-Youtube video (optional)

Today's travel story is surprising and sweet, just like the moment in which it happened. The picture speaks for itself, and I hope it makes you smile, too (I can't stop looking at it!). Joan shares how she combines her love for art and horses and her surprise encounter on a beautiful beach in Vieste, Italy.
My name is Joan Jannaman and I am an equine artist living and working near Nashville, TN. I grew up riding, "living and breathing" horses and that love never left me. After working as an art teacher, illustrator and raising our family, I returned to my passion for horses and art. I've joyfully combined the two creating Equine and Equestrian inspired artwork. My work has most recently been on the cover of the Chronicle of the Horse and featured in magazines such as Horses in Art, Sidelines, The Barn Book Cover, Polo Edition. My favorite Equestrian sport to watch..... EVENTING of course !
My husband loves Italy and because of him I love it too. My only complaint is that we rarely see horses there in our travels. Granted, the rolling vineyards are breathtaking but the views of grazing horses are few and far between.
Last year we spent some
time staying at a small coastal resort town called Vieste ( if you see the
"spur" of the boot of Italy...that's Vieste) It has beautiful white
cliffs falling into flat sands and calm waters of the
Adriatic. We were walking along the base of the cliffs
near the town when we heard hoof beats! As a guy was leading his
horse down to the beach, his friend pulls up in a small car beside the two of
them. This picture is what I snapped as I saw the horse being
exercised Italian style..... two guys in a little car, talking and smoking; one
with his hand stuck out the window leading the horse at a slow trot
with their little dog following behind.
Yes, the Italians do
have a different way of doing things!
Be sure to check out the incredible oil paintings on Joan's website, Lakehill Studio plus more great moments captured on canvas and other thoughts on Joan's Blog.
Thanks for sharing this moment with us, Joan! If you have any great travel stories involving horses, we'd love to hear about it! Email your thoughts, images, and a little about yourself to Leslie.ENation@gmail.com. Happy travels!
We work most of our waking hours and most of us work in a cubicle in the midst of a wide expanse of space. Therefore, we work in a cube farm. Usually, everything is monotone, right down the chairs. So in order to maintain sanity, most everyone 'decorates' their cubicle to make it habitable. You will mostly see pictures of folks' kids and other family members. There is also a requisite wall calendar of their choice. Some have plants too so the environment will be a little more livable. Indoor plants do well in this environment as we spew out lots and lots and lots of CO2, especially if management is walking around.
And then there are the crazy horsey people. I think the number of horse pictures you have in your cube coincides with how much you don't like your job, personally. The more horse stuff, the more you can't stand your job. And the reminders of why you keep this job are hanging on your wall.
I have one pic from Loudon, one from in front of The Fork's barn when we won the ATC's (Winston's first year competing), and a calendar. I usually get a Beth Collier calendar for Xmas but not this year (boo!) but did get a free fly predator one.
I even have this horse shoe that matches Winston's perfectly. It was our first prelim at VA and we nailed the water perfectly and the hubby was watching. He saw a shoe fly up on our landing from the first chevron and thought it was ours. So, he picked it up. It even had the same studs in. I would have turned it in but the hubby gave it to me Sunday afternoon. It wasn't mine but I kept it anyway, thinking the person has probably gotten by that point. Now it's in my drawer here at work. I do use it as a weapon when people are being buttheads ;o)
At least now I know that the shoe I lost at the VHT went to a good cause. At any rate, Lisa and all of our other readers working hard in an office today inspired our Ecogold "Horses in My Life" photo contest, as described below.
The team selections for me were a mixture of the expected, surprise and disbelief. I am not a GB selector so have no idea behind their reasoning and nor is it my place to question their decisions but I thought I would have a quick look in detail at the selections.
The GB selectors have always name their teams early they make a decision and tend to stick with it. Apparently this means riders have more time to prepare and can do things the way they want to in the run up to such a major competition. One of the things that has made Yogi Breisner so successful in his management of the British team is the way he leaves riders to work on their horses without interference as they know the horses best.
This years team is:
Nicola Wilson and Opposition Buzz:

I have mentioned this pair so much that they need no introduction. They are sublime to watch and its very exciting that their dressage is on the up. They are in such form and have proven themselves so reliable in the past as pathfinders that they could not be left off.
Mary King - Imperial Cavalier
Unfortunately a foot issue kept Imperial Cavalier away from Barbury but he is now a solid team horse and has completed several 4* within the top 5 placings. His one weakness is the show jumping. Its good but he is often liable to have one fence down. They are not a surprise to have been selected.
William Fox Pitt - Cool Mountain
I think if anyone asked William last year which horse he would be taking to WEG it would not have been this one! Machiatto, Seacookie and Idalgo looked like much stronger candidates but unfortunately they have all fallen by the wayside and Cool Mountain has done nothing wrong. I know many of you who watched Rolex were not hugely impressed with this horse and I watched him carefully at Barbury but he just looks like he is not putting that much effort in! He is a big horse who really covers the ground and I think he is just supremely talented but without some of the personality sparkle we are used to seeing that shouts LOOK AT ME that many of the worlds best have! Seacookie was my choice but his run out at Barbury put paid to his chances and Cool Mountain went very well.
Tina Cook - Miners Frolic
This pair are not a surprise as they have amazing previous form. The horse has not gone that well this year by his normal exceedingly high standards but I am not going to bet against a Olympic Bronze Medallist, European Champion and placed in the top 10 at 9 CCI/CIC 3* & 4*. I still have not heard why he was withdrawn from Barbury but guessing there was a small issue that will be easily overcome. I think they will be fine at WEG.
Pippa Funnell - Redesigned
Now this was a surprise for me. I thought they would be reserves. Pippa is a very good jockey. She fits will into the team being very good friends with William and Tina and she has lots of experience. I take this quote from the British Eventing press release:
'Pippa Funnell commented on her selection: "I am just completely speechless; if anyone had told me six months ago, I never would have believed them! Though the horse is young, he has always impressed me and his owners who are of course equally delighted that he has been selected.
I think it sounds like Pippa was as surprised as the rest of us! I thought this horse needed another year just to truly show what he can do at 4* but the selectors obviously think that he will do well. My only observation would be that he has only completed one CCI3* which he won and though Bramham was very big I did not hear about it being overly technical for the level. The horse went very well at Barbury and I know that Pippa has always thought very highly of him. They were the surprise for me.
Piggy French - Jakata
Who is this horse? I had not even heard of him until the team selections were announced. I had to actually go and look up his record! I think I am pretty switched on as an eventing geek but this one has slipped by me. Jakata is an 12yo by the top show jumper Abdullah. His record with Piggy is consistent but he has only done one CCI and one CIC 3* with her and the CIC3* at Houghton which they did was not a world class competition with some very average horses taking part.
Here is his record: http://www.britisheventing.
What I will say is that Piggy is a hugely talented jockey and has a proven track record of turning horses around who have previously reached 3* but without looking top class. Her silver medal at the Europeans was achieved on a horse who had been there and got the t.shirt without looking like being a top class horse until Piggy came along.
The reserves are all names we know well in Lucy Weigersma, Daisy Berkely, Oliver Townend and Sharon Hunt.
I have to say I feel hugely disappointed for them especially Lucy Weigersma who has only done good things with that horse apart from one blip at Badminton where he had actually gone really well to that point. I do not understand the logic of picking horses who have done well at 3* over horses who have done well at 4*. It makes a mockery of bothering to have 4* competitions in this country as they are supposed to be training grounds for Olympic games and this was how Badminton came about. The reserves this year have either won or been placed within the top 5 at 4*. Daisy Berkeley I had heard a while ago was not going to be selected as the horse is now 18. Personally I think she deserves to win a big 4* on him as he is just wonderful.Ollie Townend will live to fight another day on Ashdale Cruise Master despite all his efforts. I feel a bit sorry for him as he could not have done any more. Sharon Hunt unfortunately will always be fighting to overcome the Badminton last year when Tankers Town eliminated himself in the start box. I am very pleased they won at Luhmuhlen as they deserved a big win.
As I hear the debate between Modern vs. Classical Dressage, I think "Great, another misperception of what basic training is." Here is my version of Classical vs. Modern Dressage. One is centered around the basic training of the horse to increase longevity, ridability and harmony in the horse's life with the idea of balance on both the horse and riders part. The other is training to appease a judge with no eye for balance and a misconception of physiology, who is more entertained by artificial movement and head placement. Nothing is ever going to replace good classical training unless you're entertained by movement that is unnatural for the horse. This misconception is leading to inhumane training techniques and should not even be up for debate.
Dressage is not all that complicating when one has an understanding of the horses physical and mental makeup. The more complex the movements, the more the basic foundation is tested. However, when one trains for a personal goal or following an agenda without listening to their horse, the basic training gets sacrificed and force is applied. Anytime force is applied, the horse naturally resists until they look for another source of balance, being the rider. The rider then is taking away the accountability of the horse to balance on its own.
When Basic Training is done correctly both the horse and rider are accountable for their own balance. The artistic picture that many long for is the end result of a balanced horse. When allowed to go forward along with subtle aids from a balanced rider to guide in direction and pace, the horse begins to carry the riders weight and levels, enabling the horse to stretch their neck and swing over their back. However, when riding the head and neck, the rider is enabling the horse to balance against their hands, tensing in the back and putting concussive effort on their body.
Lets not complicate Classical Dressage with expectations, artificial aids that apply force, or lack of knowledge. The horse is a noble creature that aims to please. When training, make sure the character is not ridden out of your equine partner due to a hidden agenda or expectation. Dressage involves two.
That is my interpretation and I'm sticking to it, if not for the sport, for the welfare of my horse.
Eric Dierks

When it became evident late last year that the Maui Jim Horse Trials were destined to become a thing of the past, Mike Dalton, the CEO of Maui Jim, Inc., asked what we could do to keep the tradition of the event going given its new legally imposed constraints. He generously agreed to continue his company's support of a competition designed to include both experienced riders and riders new to the sport. Thus the Eventing Derby Series was created that would take place entirely on the extravagantly landscaped grounds of Lamplight Equestrian Center in July and in August.
Never being one to overtrain for anything, I dove head first into putting the Derbies together even though I had never actually seen one. In late March, a friend in Tucson had invited me out to see the Derby that was scheduled to run at Grass Ridge. I jumped at the chance to escape from the Chicago winter for a weekend never dreaming that it would snow in Tucson and the Derby would be cancelled. Best laid plans and all that.
My theory of organizing is to hire the very best possible professionals I can afford so I hired Jon Wells to do the courses with some building additions by an up and coming local builder, Joel Nielsen. Having worked with Rick Dunkerton and evententries.com for the past five Maui Jim's and three AEC's. I whined pitifully to him, and he agreed to come and score and work his scheduling and secretarial magic. (I expect he capitulated to shut me up. Wise choice!) Cyndi Kurth from Florida came on board to announce the first one, (giving a whole new meaning to the word FISH), along with Cindy de Porter who is a crackerjack and fun official, and who agreed to be head judge and do a half day's "Ride a Test" prior to the start of the actual competition. This great nucleus was bolstered by the hard working, enthusiastic and experienced core of volunteers who had made Maui and the Illinois AEC's run like clockwork.
While designing the prize list and schedule, a wonderful new feeling of freedom descended upon me. Mind you, my organizing experience had always been within the confines of USEF and FEI rules as well as USEA "recommendations." All of a sudden, I realized that there were no rules in this venture so consequently, with a ton of consulting with Rick, we made up our own. I felt like a kid who'd been let out of a Catholic boarding school!
Basically, we ran in three parts over two and a half days - a shortish jumping test, dressage, and a longer jumping test. The courses combined show jumps and some newly built cross country portables. The levels offered were Starter, Beginner Novice, Novice and Training. Preliminary will be offered in August. Horses could enter two consecutive levels, and two riders could compete the same horse. We geared it toward riders who may never otherwise have the chance to compete at a "big time" facility like Lamplight, and we kept the entry fees low. Following the National trend, entries were late coming in which is understandable, albeit a bit hairy in terms of planning. Dress code was minimal - boots and helmets and proper Dressage tack being required.
A marvelous collection of over a hundred horses competed. One young lady was riding a paint who started out life as a circus horse. The winner of the Master (40 and over) Amateur on an Off The Track Thoroughbred award (which was donated by Seema Sonnad, a generous supporter of our efforts), was a 23 year old who raced until he was 8 and had carried his former owners through a couple of NAYRC's. There was every breed imaginable - a Fresian cross, some POA's, a Shetland cross, a saddlebred, a few Arabians, a pair of Selle Francais and a few warmbloods in addition to Thoroughbreds, quarter horses and various and sundry color breeds. We pinned through tenth place and offered a ton of goodies donated by generous vendors and our wonderful sponsor, Maui Jim.
A couple of days to recover from a blow out dinner a friend gave on Sunday night, (in retrospect, doing Kalashnikov shooters after dinner is not exactly a great idea!), and we'll start gearing up for the August Derby on the 13th, 14th and 15th. We will be tweaking some of the rules, but intend to maintain the same relaxed and low key atmosphere in a big time environment that marked the maiden effort. I'm happy that thanks to Maui Jim, Inc., we were able to put some of the fun back in eventing! (I just got a call from Mike Dalton who was in Sardinia at the time (!). I had sent him a quick report/thank you e mail about the weekend, and he was very excited about its success. What a class act!)
Tina Cook riding Miner's Frolic
William Fox-Pitt riding Cool Mountain
Piggy French riding Jakata
Pippa Funnell riding Redesigned
Mary King riding Imperial Cavalier
Nicola Wilson riding Opposition Buzz
Alternates:
Daisy Berkeley (Spring Along)
Sharon Hunt (Tankers Town)
Oliver Townend (Ashdale Cruise Master)
Lucy Wiegersma (Woodfalls Inigo Jones)
Stephen Bradley and Brandenburg's Joshua
Phillip Dutton and Connaught
Holly Hudspeth and Last Monarch
Kim Severson and Tipperary Liadhnan
Allison Springer and Arthur
Buck Davidson and BallyNoe Castle RM
Buck Davidson and My Boy Bobby
Phillip Dutton and The Foreman
Phillip Dutton and TruLuck
Phillip Dutton and Woodburn
Will Faudree and Pawlow
Becky Holder and Courageous Comet
Boyd Martin and Neville Bardos
Boyd Martin and Remington XXV
Karen O'Connor and Mandiba
Amy Tryon and Leyland

"A demonstration by Pat Parelli caused upset when Robert Whitaker's showjumping stallion Catwalk was worked on for two hours in front of a confused and upset audience. The stallion, who is renowned for being very difficult to bridle appeared to become upset during the demonstration. Some onlookers left the arena in difiance to Pat Parelli's methods as the horse tried to run back to the collecting ring." Link: Full H&C article
The Parelli blog responded to the situation with a post titled "challenging horse lived up to its billing":
"We ran 45 minutes over and a couple of folks were upset at what they think they saw, saying they may post on YouTube. We all have nothing to worry about except misunderstanding. Pat stopped at an appropriate time in the training process when he saw a breakthrough and preserved Catwalk's dignity, which is more important than getting the bridle on tonight." Link: Parelli Blog
"It started well and Pat continued his talk as he led the stallion around the areana on a long rope. He talked of relationships, perceptions and of course the principles of love, language and leadership. Then he pulled it's head down as his is the Parrelli thing I guess? He then tried to touch Catwalks head and ears unsuccessfuly I might add and so became a little more forceful in his approach and asked to be brought in a saddle pad which he then slid up and down a distrssed Catwalks neck and over his face. This went on for a while and then he asked for music. The room went silent, all viewers went dumb as they watched him use a gum line as a twitch and a 22ft rope wrapped around the fetlock to the knee to haul Catwalks leg off the floor to render him unable to move while he tried to force the bride onto a now very distressed and frightened horses face!!
Catwalk hopped away and went down on his remaining knee and backed into the jump and the fence rails. Linda who'd had her face in hr hands up to this point, then raced around from her chair at the side of the areana and joined him in the fight, pulling at the rope while Pat continued to force on the bridle. The distressed horse managed to break away momentairily and run for the exit and safety. They caught him and started the whole process again where the horse stood.
I have to confess that at this point, we were unable to watch any more and had to walk out."


Buck Davidson and BallyNoe Castle RM (11th Burghley 09, 15th Rolex 09)
Buck Davidson and My Boy Bobby (3rd Rolex 09)
Phillip Dutton and The Foreman (2nd Rolex 05, 2nd Burghley 05, 6th Rolex 10)
Phillip Dutton and TruLuck (4th Burghley 09, 9th Rolex 07)
Phillip Dutton and Woodburn (12th Rolex 09, 9th Rolex 08, 2nd Rolex 10)
Will Faudree and Pawlow (15th Rolex 10)
Becky Holder and Comet (since '07 - 2nd Rolex 08, 42nd Olympics 08, R Burghley 09, 3rd Rolex 10)
Boyd Martin and Neville Bardos (9th Rolex 08, 4th Rolex 10)
Boyd Martin and Remington XXV (12th Rolex 10)
Karen O'Connor and Mandiba (E Burghley, 44th Olympics, 7th Rolex 10)
Amy Tryon and Leyland (13th Rolex 09, 14th Burghley 09)
EN guest writer lec has gone above and beyond the call of guest writers by turning in this fantastic report from the CIC3* British selection trials in Barbury this weekend. Thanks very much for writing this lec and thank you for reading.
----
If you are ever in the UK in July Barbury is a must visit event. The whole thing is absolutely spectacular to look at and you always get the top combinations competing here. This year 109 took part in the CIC3*, 190 in two CIC2* sections and around another 190 across 5 prelim sections.

The main arena is in the front and pretty much the whole cross country is in the background and can be easily viewed.
This year the CIC3* was particularly exciting with the Irish and British team making their team selections for the WEG tonight. These then should be announced in the next few days. No one in the British team has been shortlisted or given the nod yet so everyone is waiting to see what happens.
The course was tough with one fence causing much trepidation. It was an owl hole on a mound with around 3 strides before some very offset houses.

This is the fence from the reverse angle as it shows you how offset everything is.
The Quarry was another fence that has traditionally caused issues with a downward incline with a skinny triple brush.

A huge jump into the water for this Italian rider unfortunately resulted in....

this

WFP on Seacookie shows a more conventional style!
Ruth Edge was leading after the dressage and show jumping but withdrew before the cross country. I understand it was never her intention to run cross country as I have mentioned in the past he is not the soundest of horses so he is probably being saved for another day. Mary King was also in contention but withdrew on Imperial Cavalier through him having a foot issue (I heard nail prick). One notable absence was Tina Cook. It seems that Tina withdrew all her rides including Miners Frolic. No one seems to know why and it does place his going to WEG in jeopardy as he needed a good run to prove himself. Though he is entered at Aston Le Walls Advanced it is not anywhere near the same calibre as Barbury. Another withdrawal was Headley Brittania who I understand has cut herself. Its nothing serious but just meant she could not run today.
The Cross Country at Barbury is run in reverse order which makes for an exciting competition. The time is tight at Barbury and very few have ever made it inside the time. The Irish put up a very good showing with Jayne Doherty and Sam Watson being placed 12th and 6th respectively. Unfortunately Camilla Spiers who had put up a terrific performance at Badminton on the 15.1hh Portersize Just a Jiff picked up 20 penalties.
The course was not straightforward and some of those who paid the price were Andrew Nicholson who was leading going into the cross country, Mark Todd on Regent Lad and William Fox Pitt with Seacookie. All of these picked up an expensive 20 penalties.
Nicola Wilson was the winner on the superb Opposition Buzz. This pair made it look easy. Even more pleasingly for British hopes they have continued to improve their dressage!
Link: Barbury CIC3* results

Nicola at the end of cross country
Emily Llewellyn had two great rides on Pardon Me and Society Spice to take 2nd and 10th. Emily really is a superb rider and is still under 21. Andrew Nicholson was 3rd with Armada after a very speedy cross country which pulled him right up the order and Daisy Berkeley was 4th with the incredible Spring Along who is now 18. Cool Mountain looks the likely WFP horse to be heading to WEG after finishing 5th. WFP cross country was incredibly deceptive as he looked very slow but finished with only 10 time faults. Paul Tapner with the Badminton winner Inonothing did not do his Australian team hopes any harm by finishing 7th.
There were two horses that stood out for me for the future - Redesigned ridden by Pippa Funnell and Brookleigh ridden by Clayton Fredericks. They are not horses for this year but they looked super classy and I really think they will be big stars in the future.

Redesigned
I know many events struggle to get spectators but at Barbury they hold a country fair with agricultural machinery and one of the main ring draws is Inter Hunt Relay. Each local hunt puts forward 4 team members and they have to race another hunt over a set course of identical fences before handing over a whip to the next team member. The fastest team is the team which wins and knocks the other team out. Knocking down a fence adds 5 seconds. Its fun to watch and very exciting as fast paced and you never know what is going to happen.

This one was a close match!
Finally I was very lucky to get a chance to ask cross country legend Lucinda Green some quick questions.
Q) What do you wish you knew in the past that you know now?
A) That you have to learn to ride every horse differently. No two horses can be ridden the same way.
Q) At clinics what advice do you give time and time again?
A) There are two bits of advice that I give firstly that of the riders weight and how much it influences the horse. If the riders weight is in the right place you will stay out of trouble much more. Secondly allow your horse to think for himself.
Q) Any other advice?
A) Many riders underestimate how long it takes to produce horses up the different levels. You cannot cut corners in training a horse especially on cross country. Riders are getting away with not educating horses properly and still moving up the levels. Do your homework and spend time building up the questions so that you are always more than prepared when you go cross country.
Do you ever stare in awe at the sleek shiny horses, the glistening brass, perfect braids, and dazzling white marks at a CCI trot up? Do you ever wonder how they get that way? (LOTS of hard work is the correct answer!) Each Sunday morning we will bring you a little insider info on how the big-time grooms manage an upper level event horse. Feel free to email or comment with specific grooming questions if you have a topic in mind!
Previous entries: Breastplates, Breastcollars, and Breastgirths
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All Wrapped Up: Stable Bandages

Wrapping legs is a skill that every horse owner should have, and preferably before they actually need to do it. There's no need to routinely wrap a horse's legs, but it can be helpful in some situations:
Improperly-applied wraps can do a lot of damage. The blood supply to the tendons in the back of the horse's leg is easily compromised if the wrap is too tight, if it is applied with uneven pressure, or if it slips down and bunches up as a result.
How much tension to use when applying a wrap depends on the materials and is something you just have to learn by experience. A properly applied bandage will stay in place without slipping and will lie snug against the skin, but not snug enough to indent it. You should be able to slide a fingertip between the bandage and the leg. Gentle twisting of the wrap should not allow it to slide around the leg.
Materials:
A stable bandage consists of a leg pad ("quilt") and an outer bandage. The leg pad comes in several different styles: foam-filled, cotton batting, sheet cotton, "no-bows," etc. Make sure the padding is adequate and even, without any lumps which could cause pressure points. Most prefer Wilkers brand wraps (cotton outer, quilted flannel lining, foam padding between), or plain cotton-batting filled wraps. An average horse will wear 14" quilts in front, 16" behind (18" for taller horses). A very large horse will go up 2", smaller horses/ponies down 2".
The outer bandage may be flannel, or the popular, colored polyester wraps. The polyester wraps stretch just a little, so be aware of this and don't pull them too tight! Flannels are the traditional wrap of choice, but their lack of stretch means you have to work a bit to keep them wrinkle-free. Whatever you choose, the wrap should be at least 10 feet long, preferably 12 feet so you don't feel "rushed" to finish a hind leg wrap.
First, make sure the leg area that the bandage will cover is clean. Brush the hair so that it is lying smoothly. Apply any topical medications that you wish to use (we will discuss poultice, liniments, sweats, etc in a future topic).
You can find several different sets of instructions on how to wrap legs properly. One frequently quoted says to always wrap from outside to inside, front to back, going clockwise on the right leg and counterclockwise on the left. However, if you're right-handed, the counterclockwise wrapping is awkward, making it difficult to apply smoothly, and vice versa if you're left-handed.
The important things to remember when bandaging are:
Apply the leg pad so that it lies smoothly along the leg, with no wrinkles. While holding the padding in place lightly with one hand, begin the outer bandage by tucking it under the end of the cotton for a short distance, then wrapping in the same direction, first down to cover the fetlock joint, then back up again to end at the top of the leg. Each layer should overlap the one before by about half the width of the bandage.
One of the trickiest things to learn is where to start the outer bandage so that you finish wrapping at the top of the leg without too much bandage left over, or not enough left. This is going to depend on the length of your bandage (9 or 12 feet), the width (between 4 and 6 inches) and how much stretch it has, as well as how long the horse's cannon bone is. In most cases, you're just going to have to experiment with your bandaging materials to find out what works best, but in general the outer bandage is started anywhere from halfway up the cannon bone to just above the fetlock joint, worked down to take in the fetlock, then brought back up again.
When you first start learning to wrap legs, you'll feel like you could use at least one other hand and will likely botch your first attempts. Be patient. Like any skill, it just takes practice. The more you wrap, the better you will be at maintaining even tension throughout, and knowing your materials. Having someone experienced give you a few hands-on lessons is very important!
What makes a good wrap?
Even tension! Consistent pressure from inside to outside, top to bottom. You can use FIRM pressure, so long as it is the same throughout the leg. Use the "thump test" (flick the finished wrap with your finger) to listen for tight or loose spots.
Practice! The more you use your wraps, the more comfortable you will be knowing where to start/end for the best finished product. For instance, I know with my 9' wraps, I will have ten revolutions around the leg until I reach the velcro. I like to have four circuits down to the ankle, then six remaining circuits to finish it off below the knee.
Patience! Don't be in a hurry. Take as long as you need to ensure the wrap is the best you can do. If you feel it may slip down, wrinkle, or be too tight, take it off and start over.
Good materials. Use good-quality leg padding, and flannels/wraps of good length with strong velcro. I prefer velcro at least an inch wide, instead of the thin half-inch strips that never seem to hold well (and create excess pressure). Roll your wraps tightly!! This makes it MUCH easier to maintain a snug wrap with even tension, when the wrap practically unrolls itself around the leg.
And now, the Goddess of Grooms will demonstrate everything you need to know about a proper stable bandage:

Saturday, July 10th, is the National Don't Step on a Bee Day, National "Clerihew" Day, National Hop-A-Park Day, and Independence Day in the Bahamas. I only wish I was making those up, but, of course, there is a website (actually several) dedicated to keeping track of all the random national days.
Did Descartes
Depart
With the thought
"Therefore I'm not"?
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